I work with photographs, so I do all that I can to ensure the finished work remains photographic. Given that the idea of photographic verisimilitude shifts within historical and sociological contexts, I attempt to mediate the intention, usage, and plausibility of the picture within these contexts — generally using structural methods derived from traditional darkroom technique.

Retouching has a reproduction component and a picturing component. I considered it a success when both of these are invisible, and the work has the presence of an unmediated image. Which is to say, I do all that I can ensure the finished work remains photographic.

*image = imago, ghost or apparition or likeness. The word 'photography' means the writing or marking of light, and by 'image' I mean the direct result of such mark-making.